Category: Non classé
-
The collective anxiety created by the AI-altered Raanjhanaa is quite understandable : a production house (Eros International) using artificial intelligence to resurrect Dhanush’s character in order to…
-
I will talk about the forms and reception of T.J Gnanavel’s ‘Jai Bhim’ tomorrow at the SARI International Conference on « Representation of Justice in Indian…
-
This article was first published on my Instagram page, in August 2024. Shakthi and Karthik, through a sociological lens Mani Ratnam’s love trilogy reflects his…
-
‘Thenmozhi’ was one of last year’s hit songs and like many, I was hooked on, as much as I loved Thiruchitrambalam. The interesting thing when…
-
Actress, producer, director, writer, music director, singer. Is there anything Bhanumathi didn’t try in the field of cinema ?Born in 1925 in a middle class…
-
To be noted : This was written two years ago, in February 2020, as posts in my Instagram page. Iraivi is often labelled as a…
-
Yesterday, in my Instagram story, I shared my feeling about the disturbing colorism of one of ‘Ponniyin Selvan’ first look posters. It shows the Chola…
-
For philosopher Gilles Deleuze, « the affection-image is the close-up shot and the close-up shot is the face ». Indeed, close-up is not only a…
-
There is an organic political and philosophical link between Kabali and Django. They represent subaltern and oppressed communities, whether it’s Tamil plantations workers in 20th…
-
Nota bene : this essay was written some months ago, between december and january, and there could be some spoilers for those who haven’t watched…
1916 / about tamil cinema 