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Should Tamil cinema resurrect the dead ?
The collective anxiety created by the AI-altered Raanjhanaa is quite understandable : a production house (Eros International) using artificial intelligence to resurrect Dhanush’s character in order to…
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Kamal Haasan, child of cinema
As far as I can remember, in a countless number of interviews and speeches, I have always heard Kamal Haasan talking about himself as a…
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Behind Silk Smitha : caste, sexism and celluloid image.
I grew up with the idea that Silk Smitha was the incarnation of all the taboos my tamil family didn’t want to talk about : sexuality,…
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தென்பாண்டி சீமையிலே | Pulamaipithan’s words
« Thenpandi cheemayile » is the seed from which Nayagan’s story grows. When Ilaiyaaraja’s voice breaks the silence in the film’s opening credits, we understand…
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No time for love in “Kadhalum Kadanthu Pogum”
Kathir (Vijay Sethupathy) is a semi-looser rowdy who dreams about owning a bar. Yazhini (Madonna Sebastian) is a graduated engineer searching for a job. At…
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Remembering Sujatha’s words
I just learned that writer Sujatha would have turned 84 today. Millions words would be needed to explain the importance of this master of words,…
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The area as main character in Pa.Ranjith’s “Madras” & “Kaala”
In both “Madras” and “Kaala”, the heroes may be Kaali (Karthi) and Kaala (Rajinikanth) for the movies credits. But I tend to think that the…
Shakila Zamboulingame
Born in Pondicherry but living in France since childhood, I started this writing project in 2016 to analyze Tamil cinema through a diasporic point of view. I am working on a Phd in film studies and anthropology entitled “Tamil Cinema in Diaspora: Film Culture, Spectatorship, and Identities” (RiRRa21, Université of Montpellier Paul Valéry – Cesah, EHESS), about the experience of Tamil cinema in the communities of Tamil immigration and exile in France. I regularly write and give lectures on Indian cinemas, Tamil diaspora and diasporic audiences. You can read my writings here, on Instagram where I am more active, and in some publications.

